Digital Drawing for Science & Fantasy

It's been a busy summer so far and it's looking like it will be an eventful fall as well! There will be lots to share in the coming months. For now, I've put up a mini workshop I put together. This lesson will show how I build up an anatomical study from wire frame gesture to final drawing. I’ll show how I break the skeleton down into planar shapes to better draw it as a 3D object, attach the musculature to the bone, use animal reference for creature design and I how use these principles to better understand the anatomy of a creature. I cover basic photoshop techniques and how I use them to edit and manipulate my work. Inside you’ll find notes and observations on drawing techniques as well as design principles.

Inside the ZIP file you’ll receive a 25 page PDF workshop with written notes, diagrams, images and menu screenshots. You’ll also receive a 300dpi PSD file of lion anatomy diagrams; both the side views and the ¾ view. The PSD file contains all of my original gestures and work that builds up to the final line drawing.

You can find the workshop here: https://gumroad.com/l/QAcmT

Okotto, Nago, Beautiful and Strong.

Nago was beautiful and strong. 


This month I had the absolute pleasure to exhibit alongside nine other artists at a Miyazaki Tribute show! It was hosted by Chris Koehler and Joe Ching at Sketchpad Gallery in San Francisco. 

Of course, how do you choose a Miyazaki world to depict? I have a few favorites but when there are giant boars to paint, I'm going to head there first. I decided I'd illustrate Nago from Princess Mononoke in his peaceful form, before he lost himself. I produced two original pieces in the creation of this illustration; a pencil and a painting.

The pencils I use tend to be on the softer side and don't do well with lots of painting over top, especially on a painting this detailed. So instead, once the pencil is finished, I scan it in and reprint it as a giclee print on hot press watercolor paper. This way, I can preserve my pencil work underneath the gouache. 

I tend to layer quite a bit with gouache, staining and building up values slowly. Overall, this piece took about 3-4 days to complete. I am still breaking into the world of gouache but I am quite happy with how this turned out.  

The final image measures 9x12 and is gouache on hot press watercolor paper. This piece will be on display at Sketchpad gallery for the remainder of the month. To inquire about seeing the show, contact Sketchpad on Facebook. 

Special thanks to Chris Koehler and Joe Ching at Sketchpad Gallery, Luke Harrington and Craig Drake for organizing the show and the other artists who contributed such beautiful and inspired work. It was an absolute pleasure to work with all of you. 

Huge thanks to the fans and patrons who came out in terrible weather to see our work! You all rock and are the reason stuff like this happens. 

Read a feature on The Verge about the opening and to see other works from the other amazing artists in the show! Stay tuned for more updates and for a first look into designing the radish spirits for the show!